Friday, November 22, 2019
Im Writing a Trilogy (and How You Can, Too)
Im Writing a Trilogy (and How You Can, Too) Why I'm Writing a Trilogy - and Maybe You Should, Too After graduating with a degree in Biological Anthropology, Kara Timmins is now bringing her keen interest in evolutionary processes and natural systems into the fantasy genre with her first major release, Eloy's Discovery - book one in a trilogy. In this article, she talks about the power of three when it comes to storytelling, and offers tips for telling a cohesive, dynamic story in three parts. We can see evidence of the satisfaction found in groups of three all around us: Earth, Wind Fire; Lock, Stock, and Barrel (or Lock, Shock, and Barrel for you Nightmare Before Christmas fans); or The Good, The Bad and The Ugly. Itââ¬â¢s everywhere.To sum up: people like trios.Now, enough about the mind and 600-year old art. Letââ¬â¢s talk about structuring a trilogy.The structure of my trilogyItââ¬â¢s not an accident that my series is comprised of three books. Consumers are primed to understand and appreciate things in threes: as readers, weââ¬â¢re looking for ways to link, group, and interpret stories. This is an opportunity for writers, and I kept these expectations in mind while writing my series, The Eloy Trilogy.Each book in the trilogy is titled after a different phase of life: Discovery, Challenge, and Legacy, and is meant to feel like a different part of life. Within that framework, Iââ¬â¢ve also broken up the three stories into three different obstacles: book one is man vs. circumstance, book two is man vs. man, and book three is man vs. nature.While it is a fantasy with magic and monsters, the structure of the novel is intended to represent familiar and relatable stages of life. A first love is a first love - whether youââ¬â¢re fighting ground-dwelling creatures or trying to get through sixth period in high school.Filling in the gaps between sequels and prequelsThe story is broken up into three for the reader, but not for Eloy, my protagonist. For Eloy, itââ¬â¢s just his life. Recognizing the distinction between what the reader sees and what the character sees helps create a sense of a gradient (another thing our minds like). For me, that transition is the best way to include parts of what happened in the past book into the next one in the series, without having to rely on an ââ¬Å"info dump.â⬠Eloy is a person, and though he lives and struggles in a world very different from our own, his underlying structure is the same as someone living: his past doesnââ¬â¢t fall away from him. He uses what has happened to him to try and make sense of the present and predict the future. This is where that gradient lives, in his reflection of the past and his actions based on that. Bringing a character's past into their present is the best way to avoid info-dumps in a book series. Finding the right editor for my trilogyIncorporating these layers feels like a lot - and it is! Itââ¬â¢s hard to monitor cohesion when weââ¬â¢re shoulder-deep in a lump of clay on the spinning wheel.One of the most important aspects of writing The Eloy Trilogy was finding an editor willing to believe in the intention I have for this story. And I have found that in Chersti Nieveen. Chersti provides me guidance by steering my voice; she elevates it and keeps it on course. She knows what Iââ¬â¢m trying to do, and more importantly, she knows what the audience wants. Sheââ¬â¢s there for me when a small change in book one causes rippling edits in book three: like combing out tangles, and just as painful.Weââ¬â¢re united in our effort to link the business with the art, and, like Eloy surrounding himself with those who thrive where he is weak, itââ¬â¢s how I can foresee following this journey to the end. The rule of three has been used in storytelling for centuries. Read how it can benefit your book. The possibilities of what we can do using this already established structure of three are limitless. Readers will forgive us for selling three books when thereââ¬â¢s a reason for it; when weââ¬â¢re giving them more than three free-floating stories. We may not be Hieronymus Bosch, but we can give them art.Eloy's Discovery, the first book in The Eloy Trilogy, is available in paperback and on Amazon Kindle.For more tips on writing a trilogy, check out our past Reedsy Live video: Writing a Genre Series: The Perils and Pitfalls.Please share your thoughts, experiences, or any questions for Kara Timmins in the comments below!
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